"Fabulous and stimulating. We humans have always had a deep fascination with mechanical objects and an equally deep urge to create art. David Hajdu skillfully brings these two strands together in a work of elegant synthesis, revealing a deep understanding of what makes us and our machines tick and our art sing."
― Daniel J. Levitin, New York Times best-selling author of This Is Your Brain on Music and I Heard There Was a Secret Chord

"David Hajdu is the rare sort of critic whose deep intelligence and even deeper humanity can challenge or rearrange even the most deeply held positions about culture. I thought I knew how I felt about AI, artifice, authenticity, the so-called machine condition and its relationship to art. The Uncanny Muse made me rethink all of it. A miraculous book, written with extraordinary grace."
― Amanda Petrusich, author of Do Not Sell at Any Price and pop music critic, The New Yorker

"Into a moment when AI’s troubling role in the present and future of artistic creation rules the discourse, David Hajdu’s The Uncanny Muse brings an exciting and essential sense of history, perspective, and boundless curiosity. This constantly surprising exploration of 150 years of boundary-pushing and limit-testing innovations in the realm of who, or what, can make art reframes the discussion in a vital and fascinating way."
― Mark Harris, New York Times best-selling author of Mike Nichols: A Life

"Are song-making algorithms only the latest in a long series of musical amanuenses? Or is generative AI a new kind of musical synthesizer―a synthesizer of the human creator? The Uncanny Muse offers a timely, richly informative, and beautifully written inquiry into the origins of ‘computational creativity,’ framed in the historical context of human creativity and our many mechanical muses."
― John Seabrook, author of The Song Machine: Inside the Hit Factory

"Fascinating. The result of David Hajdu’s extensive research, interviews, and expert journalism is a cornucopia of ideas involving art, music, machines, computers, and AI, excitingly interspersed with personal interviews of many of the key innovators still living. Curiosity and creativity combine in this fine accomplishment."
― A. Michael Noll, pioneer in the use of digital computers in the visual arts and professor emeritus, Annenberg School for Communication and Journalism, USC

"David Hajdu, one of our most important arts and cultural critics, confronts one of the most divisive aesthetic issues facing us today. In The Uncanny Muse, Hajdu interviews jazz and rock musicians, visits museums and laboratories, goes to nightclubs, galleries, and a Christie’s auction to hear and evaluate the work of artists who either resist or embrace mechanical arts, finding them authentic or fraudulent, innovative or derivative, liberating or dehumanizing. What, in the end, Hajdu forces us to ask ourselves, does it mean to sound human?"
― Robert P. Crease, chair, Department of Philosophy, Stony Brook University, and author of The Workshop and the World: What Ten Thinkers Can Teach Us About Science and Authority

"David Hajdu has tapped into something vital. This very engaging book places art and music at the center of our long history of collaboration with machines, reaffirming the importance of situating the human spirit at the center of today’s artificial intelligence efforts."
― George E. Lewis, innovator in AI composition and Edwin H. Case Professor of Music, Columbia University

"As AI flirts with aesthetics, the questions may change, but the riddles just get gnarly: can ‘smart’ machines sound sexy? Do robots make art for other robots? What blind spots form when composers play duets with algorithms? Tracing how mechanics has long tinkered with our imaginations, from clocks and cameras to Steinways, player pianos, microphones, Moogs, and beyond, Hajdu’s tantalizingly brief book coasts on that Elvis quote, ‘Ambition is a dream with a V8 engine.’ A thought bomb on every page."
― Tim Riley, author of Lennon: The Man, the Myth, the Music―The Definitive Life and pop and classical music critic, NPR

"I like to say that music lives at the intersection of the algorithmic and the spiritual. In The Uncanny Muse, David Hajdu explores the meeting point of these seemingly opposing forces, in music as well as in visual art, with uncommon lucidity and depth. In language both precise and effortlessly flowing, he leads us on a fast-paced journey through the events which, over the last 150 years, have led us to our AI-dominated present, from early experiments in robotics to mechanized House music via the first attempts at generative art. Through it all, he shows an unerring curiosity for and command of his subject."
― Dan Tepfer, pianist / composer / coder